My First Sleeping Beauty

The My First… ballets bring your children their first taste of the fantastical and magical world of ballet.

 

My First Sleeping Beauty is an enchanted world of castles and curses, forests and fairies, created especially for children by award-winning choreographer Matthew Hart. Tchaikovsky’s gorgeous waltz-filled music includes the tune made famous as Once upon a Dream in Disney’s version.

 

ENB2 is a new touring company featuring graduating dancers of outstanding potential from English National Ballet School in performances produced by English National Ballet.


Children are welcome to dress up as a ballerina, an evil fairy or a Prince. We encourage them to clap and cheer, boo the evil Carabosse, laugh and even try some ballet moves for themselves.

 

 “… it kept a theatre full of sweetie-crunching tots enthralled.”

The Guardian on The Sleeping Beauty

 

“… accessible, entertaining, fun and genuinely touching.”

The Stage on English National Ballet’s previous children’s ballets

 

Performances and Booking

 

Peacock Theatre, London

3 - 13 April

Book Now

 

Alexandra Theatre, Birmingham

21 – 22 April                       

Call the Box Office - 0844 871 3011

 

The Grand Opera House, York

28 – 29 April                                            

Call the Box Office - 0844 871 3024

Book Now

 

New Theatre Wimbledon

5 – 6 May                    

Book Now

 

The Hawth, Crawley

11 – 12 May 

Call the Box Office - 01293 553636

 

The Churchill, Bromley

19 –20 May

Book Now

 

Wycombe Swan

26 – 27 May

Book Now

 

Manchester Palace                                         

2 – 3 June                                             

Call the Box Office - 0844 847 2277

 

Charges are made booking online and over the telephone, to avoid these charges, visit the box office in person.
English National Ballet reserves the right to change casting, dates, times, performances, repertoire, prices and discounts as necessary.

 
 
 

Matthew Hart discusses My First Sleeping Beauty.
 
 
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